FrameWorks
How we work

Stop choosing between slow and cheap.

Production houses move slowly and bill like it. UGC mills are cheap, and your brand ends up looking like everyone else's. We run a third way: plan the month, shoot it in a day, cut it, post it, go again. Studio-grade video on a schedule you can count on.

Planned. Shot. Shipped. Repeat.

The Plan

Script & prep

Setting up a shot before the shoot day
  1. [ 01 - 1 ]

    We start by listening

    Your product, your customer, the videos you wish you'd made. Month one is mostly us asking questions and collecting references. Every month after, we open with what worked last time and what didn't.

  2. [ 01 - 2 ]

    Scripts you'll actually read

    No 40-slide treatments. One page per video: the hook, the angle, the format. You approve every script before a camera comes out, so nothing gets shot that you haven't seen.

  3. [ 01 - 3 ]

    One month, one call sheet

    Scripts become shot lists, and shot lists become a single booked day. We lock the location, the props and who's on camera, so your team gives up one day a month, not thirty.

The Shoot

Capture

The FrameWorks crew on a shoot day
  1. [ 02 - 1 ]

    Studio-grade setup

    We light the set and mic everyone up before the first take. Flat light and thin sound are what make a brand look like everyone else's UGC. Your product shows up the way it looks in your head.

  2. [ 02 - 2 ]

    On-set direction

    We tell you where to stand, what to say and when to go again. Owners and staff who've never been on camera walk out looking like they've done it a hundred times.

  3. [ 02 - 3 ]

    Checked before wrap

    Every shot on the list is checked for focus, framing and sound before we pack up. If something's off, we go again while we're still there, not after. Then it's all backed up before we leave.

The Cut

Edit & ship

Raw footage beside the finished edit
  1. [ 03 - 1 ]

    Cut for the scroll

    The edit follows the script you signed off: a hook that lands up front, tight pacing, subtitles for everyone watching on mute. Anything that doesn't earn its second comes out.

  2. [ 03 - 2 ]

    Sound & colour

    Voices cleaned up, music sitting under them, effects only where they help. Colour is matched clip to clip, so a month of videos looks like one brand, not a dozen shoots.

  3. [ 03 - 3 ]

    Final delivery

    Watch it on a preview link and send your notes as one list, not twelve WhatsApps. Then you get final files and a matching thumbnail for every video, sized for where they're going. Once you've paid, they're yours to use on any channel.

  4. Already have footage? Skip straight to The Cut. See edit rates →

An in-house team, without the hiring. Same crew. Same look. Every month.

Let's talk

Be the brand
they remember.

Studio-grade video that's unmistakably yours. Shot and cut every month, so you keep growing without blending in with everyone else's UGC.

What happens next

  1. 01

    Tell us about your brand

    Your product, your customer, the videos you wish you'd made.

  2. 02

    We plan the month

    One page per video. You approve every script before a camera comes out.

  3. 03

    One shoot day, then it ships

    We shoot, cut and deliver. You give up a day, not thirty.